Tag: Matthew Rolston
Adam Lambert’s stunning photo graces the cover of the June 25th edition of Rolling Stone magazine. Matthew Rolston captured the very essence of Adam Lambert; hot and sexy, yet warm and inviting.
Matthew Rolston, one of the world’s great photographers and video and commercial directors, just shot “American Idol” star and almost-winner Adam Lambert for the iconic cover of Rolling Stone Magazine – who revealed that he’s gay, that he has a record deal, etc etc, in the interview. But moreover, Lambert became a photographic icon just by Rolston shooting him. Rolston, who’s shot everyone from Beyonce’ to Fergie to Salma Hayek – doing covers for Marie Claire, Harper’s Bazaar, W and zillions of other mags for many years – says Lambert is one of the rare truly sweet and kind music superstars he’s been exposed to – and compares him to Beyonce’ in terms of how stable and nice he is. “They are the rare superstars I’ve met who are truly centered and coming from a very thankful appreciative place,” says Rolston. We love, love, love the eyeliner!
Rolling Stone shares a video of Adam’s photo shoot here. Adam is a natural with the camera and the camera loves him. Adam talks about how it feels to make the cover of Rolling Stone, his favorite style of music, and what type of album he will make.
Adam Lambert’s cover photograph alone will generate discussion.
The Rolling Stone cover of Lambert features the singer in a laid back, seductive pose with a green snake aiming at his crotch. His charisma knows no bounds. He is the one covering Rolling Stone. He is sexy. Lambert might not have come out in a way the gay community would be proud of, but there is no doubt his very existence is already going a long way towards mainstreaming the idea being gay isn’t something one should hide, but rather wear confidently, like a jeweled butterfly right near the zipper. Santa Monica Mirror
Adam Lambert’s story is the much anticipated feature article inside where Adam “tells all” in his own refreshing honest way with no filter. Here’s a preview of The New Issue of Rolling Stone: “The Liberation of Adam Lambert” from Rolling Stone Rock & Roll Daily
More from Rolling Stone’s interview with Adam Lambert which wasn’t included in the feature article. Adam Lambert in His Own words: Sexuality, Kris Allen, and Life After Idol
On why he auditioned for American Idol:
I looked at the music business, and realized it is nearly impossible to make it with the way it is right now. No one is going to take a chance with an artist who is somewhat out there. The only way you have a chance being looked at by a label right now is if you are what everyone else is. So I realized that I wouldn’t be taken seriously as a recording artist unless I had a huge platform. I saw that and I knew that Idol was the only thing that would do it — if it worked.
On Kris Allen and Allison Iraheta:
[Kris Allen] has a good heart and a good spirit. He’s so mellow, he’s so kick-back. He and I have a lot of love with Allison Iraheta: It felt like this kind of sibling thing. Just good energy, the three of us together. Kris and I both got very protective of her. We encouraged her to pick up the guitar and take risks musically. It always felt very positive … good karma, you know? Kris doesn’t need any advice, clearly. Even though he’s really kick-back, he’s got a very strong sense of self in a non-aggressive, non-intense way. It’s cool.
On his early attempts at songwriting:
My songs were like campy, sexy electro, like Peaches and Goldfrapp. I can look back now and realize I wasn’t very good at it. I was trying to put in way too many words. I was trying to be way too melodramatic and serious, you know? It’s like what a junior high student does with poetry. But over the course of a couple years, I started really trying to listen to what worked out there in music, like hooks — and realized that less is more. The simple idea is better in a song.
On life after Idol:
I’m hopeful. I have a great opportunity right now. There are a lot of people who want to work with me that I really respect. And hopefully it works. I’m not cocky because I’ve seen a lot of guys come off this show and bomb, so I recognize that I could crash and burn. But if I play it safe, it’s not going to work, so I might as well go for it with the same intention that I had on the show.
On where he wants to go musically:
I want to do something that has theatricality, a nod to the glam rockers that I love, but is also contemporary. It’s not all going to be happy-go-lucky because I think it’s important to explore other emotional parts of yourself as an artist, but there’s a time and place for it. I would love to work with Madonna. I’m a big fan. I just want to play dress up and be fabulous. When you’re a kid, you do the make-believe thing — you play dress-up and pretend. That’s the child mentality, and I feel like if you’re an adult and you can adopt the child mentality to something cool, that’s what being a “rock star” is. It’s just playing. It’s Halloween. It’s make-believe. It’s fun. And who doesn’t want to do that? That’s the kind of music that I want to make — music that encourages people to play make-believe, escape and have fun.
On experiencing discrimination:
A few years ago, I did a musical with Val Kilmer, The Ten Commandments at the Kodak Theatre in Los Angeles. I was finally personally awakened, wearing nail-polish, feeling attractive and comfortable in my own skin for the first time. We’d go out sometimes with Val, and it was the first time I’d ever been around a celebrity — it felt really fabulous. One night, we hung out at his house and Sean Lennon came over to jam with us. I was like, John Lennon’s son? This is the coolest thing I’ve done in my life. But I had a lot of problems with the people putting on the show. One day, the director pulled me aside and said, “Can you turn it down? The producers are a little uncomfortable. It’s a little too … gay.” I was like, “Um, are we doing a musical here? I’m sorry, there are fags all over the place, dude.” It was very upsetting.
On making his sexuality public:
There are so many old-fashioned ways of looking at things, and if we want to be a progressive society, we have to start thinking in a different way. There’s the old industry idea that you should just make sexuality a non-issue, just say your private life’s your private life, and not talk about it. But that’s bullshit, because private lives don’t exist anymore for celebrities: they just don’t. I don’t want to be looking over my shoulder all the time, thinking I have to hide, being scared of being found out, putting on a front, having a beard, going down the red carpet with some chick who is posing as my girlfriend. That’s not cool, that’s not being a rock star. I can’t do that.
Rolling Stone presented Adam Lambert with his framed cover right before it was released and filmed his reaction; a reaction which practically left Adam speechless, he was clearly moved. I’m sure it was a moment in time he will always treasure. Watch Adam Lambert Reacts to the Rolling Stones Cover
“I honestly don’t think he realizes how truly fierce he is. He stared at that as though he couldn’t believe it. He is fantastic and I hope that he basks into abounding happiness and every tear he sheds will be tears of joy. I think he’s worked very hard for his glory.” by Gitaround at TALC
“And right away he mentions the photographer. Typical Adam, making sure to give credit to others. He’s just extraordinary, in every sense of the word.” by paperweight at TALC